Forms
Concrete Poetry
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A poetic form in which the typographical arrangement of words and letters on the page carries as much of the poem's meaning as its verbal sense, so the shape, spacing and layout of the text is part of what the poem says rather than a decoration around it.
Facts
Place of OriginFormalized in the early 1950s among poets linked to the Noigandres magazine in Sao Paulo, Brazil, with an earlier isolated precedent in Vasily Kamensky's 1914 Russian Futurist ferro-concrete poems. 1 Notable ExampleVasily Kamensky's Constantinople, a ferro-concrete poem from his 1914 book Tango with Cows, coining the term years ahead of the movement's formal, internationally recognised founding. 1 Cross-Tradition Connections
Form Of Genre
Lyric Poetry, Genres A visual/typographic form within the broader lyric tradition.
Sources
1. Concrete Poetry (Wikipedia)
Wikimedia FoundationOpening paragraphQuote, Opening paragraph
Concrete poetry is an arrangement of linguistic elements in which the typographical effect is more important in conveying meaning than verbal significance.
View the Source 1. Concrete Poetry (Wikipedia)
Wikimedia FoundationPost-war concrete poetry sectionQuote, Post-war concrete poetry section
During the early 1950s two Brazilian artistic groups producing severely abstract and impersonal work were joined by poets linked to the Sao Paulo magazine Noigandres who began to treat language in an equally abstract way.
View the Source 1. Concrete Poetry (Wikipedia)
Wikimedia FoundationDevelopment sectionQuote, Development section
Constantinople, a ferro-concrete poem from Tango with Cows by the Russian Futurist Vasily Kamensky, 1914.
View the Source 1. Concrete Poetry (Wikipedia)
Wikimedia FoundationForm Of Genre: Lyric PoetryQuote, Form Of Genre: Lyric Poetry
Concrete poetry is an arrangement of linguistic elements in which the typographical effect is more important in conveying meaning than verbal significance.
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