Authors
Allen Ginsberg
Citation Formats
General Reference
APA Style
BibTeX
Allen Ginsberg was an American poet and, with Jack Kerouac and William S. Burroughs, one of the three central founders of the Beat Generation. His long poem Howl, first read aloud at San Francisco's Six Gallery in October 1955 and published by City Lights Books in 1956, became the movement's signature work; a 1957 obscenity trial brought against City Lights publisher Lawrence Ferlinghetti ended in the poem's favor, establishing its literary merit in court.
Facts
Learn More
The Six Gallery Reading
This article records tradition as it has been passed down and reported. Its sources are not yet part of the atlas's verified catalogue.
Allen Ginsberg first read Howl aloud in public on October 7, 1955, at the Six Gallery, a converted auto repair shop in San Francisco, at a reading the painter Wally Hedrick first proposed and organized, with poet Kenneth Rexroth serving as master of ceremonies, featuring five other readers including Gary Snyder and Philip Whalen. Jack Kerouac was in the audience and, by most accounts, helped stir the crowd's response by shouting Go, go and passing around jugs of wine as Ginsberg read. The reading is widely treated as the public debut of the Beat movement as a literary scene, and City Lights publisher Lawrence Ferlinghetti, also in attendance, wired Ginsberg soon after offering to publish the poem.
The Trial That Cleared Howl
This article records tradition as it has been passed down and reported. Its sources are not yet part of the atlas's verified catalogue.
When City Lights Books published Howl and Other Poems in 1956, United States customs officials seized 520 copies of a shipment printed in England on March 25, 1957, calling the title poem obscene. San Francisco police then arrested City Lights manager Shigeyoshi Murao for selling the book and issued a warrant for publisher Lawrence Ferlinghetti, who was booked on the same charge. The resulting 1957 obscenity trial turned on expert testimony from literary scholars who argued the poem had genuine redeeming social importance, and Municipal Judge Clayton W. Horn ultimately ruled in Ferlinghetti's favor, finding the poem not obscene. The verdict is remembered as an early legal foothold for the Beat Generation's most confrontational writing and for challenging American obscenity law more broadly.
Cross-Tradition Connections
In Movement
One of the Beat Generation's three central founders; Howl (1956) became the movement's signature published work and survived a 1957 obscenity trial over its literary merit.
Sources
Reader Challenges (0 open reader challenges)
No disputes yet. Spotted an error or a better source? Open the first one.
Sign in to dispute this or suggest a correction.
View At A Past Year
The atlas records no dated fact of its own for this entry, so there is no other year to choose.